What We’re Listening Right Now: Money Chicha, Rajinee, Carson McHone, Harry Edohoukwa, Larry Seaman and Jenny Parrott – Music


Chicha’s Silver Shisha top

A synth opens like an all-encompassing mouth on “Desesperado”, the opening of Money Chicha’s Shisha top. The rest of their debut Echo in Mexico (2016), the top of 12 tracks merges two convergences: side A pays homage to Chicha music, and side B offers six originals recorded at Sonic Ranch Studios.

Taking its roots beyond the South American border in Peru, the first half of the sophomore album has an Andean air as it reinterprets the country’s psychedelic cumbia, Chicha. Dusty classic “Pacífico” sustains the high-end sparkle of Los Destellos, and “Fatalidad” copies the lo-fi buzz of Jose L. Carballo from La Mermelada, whose six-string flourishes appear on the album alongside vocals. by Kiko Villamizar from Austin.

The B side as “Fuentes” brews an interstellar maelstrom with astral delay, “Anda de los Andes” mutates into a Frankenstein of slender dissonance and circus synth modulations, and the polyrhythmic percussion of “Rancho del Tambo” makes crack tectonic rifts reminiscent of Santana’s performance in Woodstock of “Sacrifice of the Soul”. There is a deep musicality as the all-star trio of drummer John Speice, conga player Matthew Holmes and guest Victor-Andres Cruz (Nemegata percussionist) anchor the instrumentals to muscular limbs, allowing bassist Greg Gonzalez , guitarist Beto Martinez and organist Peter Stopschinski breathtaking with serpentine surf rock or wah-wah, zigzag fugues. Shisha top highlights the past to the present not only by delving deep into the genre’s rich history, but by envisioning its spectral potential. – Alejandra Ramirez

Rajinee’s “Catcall and Reply”

In communion with some and in confrontation with others, Rajinee asks: “I just want to know / Have you ever been insulted before?“during the first track” Catcall & Response. “Third Films. In a colorful, choreographed adventure through downtown Austin, dancer Becky Nam weaves her way through houseplants in a whirlwind of cartoon effects . king of the hill reference and feature film by rapper / director Ryan Darbonne as Ol Black Stooge. – Rachel Rascoe

Carson MCHone returns with “Hawks Don’t Share”

Carson McHone’s pen is as sharp as her Texan twang and, as she prepares the third LP, the Austin native takes one step closer to national attention by signing with Merge Records. The debut single “Hawks Don’t Share” is packed with more grandiose arrangements, extending beyond its previously sparse songwriting with the prolific and chameleon production of Daniel Romano. The horns erupt in the bloated chorus and heavy guitar hits, but McHone’s poignant and colorful lyrics always remain central in the most alt. country tour. The song challenges the notion of artistic estrangement and competition, explained in the video McHone is directing, but talks about any bad but burning relationship. Doug freeman

Harry Edohoukwa repels “zombies”

Brilliant bravado and inner turmoil, two states of mind that characterize Harry Edohoukwa’s emotionally intense lyricism, both manifest on “Zombies”. “Everything I touch turns to gold / Every room I walk in is mineThe singer sings, magnifying the virtues of the almighty artist. Yet paranoia sets in as he attacks metaphorical zombies – hungry for a piece of his life. It plays on a bass groove. subdued that explodes into hard-hitting rock These strong and smooth dynamics, along with top-notch backing vocals, represent new sonic territory for the singer whose sound incorporates alternative R&B, poetic hip-hop and international flavors – a debut track appropriate for Yves Tumor at the Mohawk on Saturday. – Kevin Curtin

“Tanya got tired of talking” by Larry Seaman

Larry Seaman, the main standing wave from another life, drops his stab in a “21st Century Fifties Death Ballad” for this scheduled release at Día de los Muertos. Remember those scary teen rock ballads – such serious weepers like Mark Dinning’s “Teen Angel” or J. Frank Wilson & the Cavaliers “Last Kiss? On thrilling, circular tremolo guitar arpeggios, Seaman plaintively sings a suicide story that can first chant the parody. This is just the surface: the song was actually inspired by her mother’s struggle with Alzheimer’s disease for 20 years. The painful beauty of this record and its profound lack of irony are quite striking. – Tim Stegall

“Georgica” by Jenny Parrott

Four years after her When i go down solo debut, Jenny Parrott’s eight-track quarantine collection, The fire that I saw, hits ears on November 12, teased with new singles “I Thought” and “Georgica”. As if the singer-songwriter is writing the lyrics while sitting on a cloud, the feathery, bouncy “Georgica” sounds like floating. Supported by an orchestral arrangement, the calming twang of the former Shotgun Party singer flows through the rhythmic ripple cascading. Singing bells and poco forte the flute solos cut through the lyrical pauses, solidifying the overall angelic lightness of the ballad, a reminder of easygoing verses and Parrott’s strong musical talent. – Morgan-Taylor Thomas

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